Aleksander Bucholski, 2016 Ideas Incubator Fellow, Poland
Mariia Veselovska, 2016 Ideas Incubator Fellow, Ukraine
Who does
the city belong to? Whose needs should urban policies serve? Or should there be
any urban policies at all apart from day-to-day management? Those were the
questions crossing my mind as we were walking down Brzeska Street, described to
us as notoriously dangerous to the point of becoming a tourist attraction. Five
minute walk from a shopping mall and glamorous new metro station, five minute
tram ride from meticulously reconstructed Old Town, we found ourselves in what had
been presented to us as a dodgy armpit of the world, or at least of Warsaw.
But then,
I was thinking walking through another courtyard accompanied by locals trying
to draw our attention producing inarticulate noises, maybe their aggression is
justified? Haven’t we basically treated them as a living exhibit, next to the
Museum of Warsaw Praga or the former vodka factory at Ząbkowska Street?
Ironically enough, it was not
until recently Praga was missing completely from all but alternative tourist
routes, despite its fascinating, sometimes tragic history. Officially a part of
the city of Warsaw since 1791, in 17th, 18th and 19th
centuries Praga was plundered, destroyed and burned to the ground many times,
i.a. during the Swedish invasion of 1655-1660, in the massacre of Praga on November
4, 1794 during the Kościuszko Uprising, during Napoleonic wars or during the
November Uprising of 1830-31.
The birth of Praga as we know
it started in the mid-19th century with the construction of the
Petersburg and Brest Train Stations and the Kierbedzia Bridge – the first steel
bridge over the Vistula River in Warsaw, along with a horse-drawn tram
connecting Praga with the centre of Warsaw. Praga had become a major
transportation and industrial hub. What is more, the district survived the
Second World War relatively intact. On September 13, 1944 Soviet Army reached
the right bank of the Vistula River in Warsaw and saved Praga from planned
destruction of the city conducted by the Nazis after they had suppressed the
Warsaw Uprising. Thus Praga has become an open-air museum of pre-war
architecture and urban planning in the capital, which allowed e.g. for Ząbkowska
Street to feature in the Academy Award-winning movie ‘The Pianist’ by Roman
Polanski.
However, an open-air museum
that haven’t been refurbished for decades is dangerously close to a slum. And
once Praga was labelled as such, it has been more or less invisible to other
inhabitants, city authorities, tourists and business ever since. Many old
buildings in the district lack basic utilities: central heating system, gas or
even running water. In 2011 a thorough medical survey revealed that the
difference in life expectancy between Praga and the most affluent districts of
Wilanów and Ursynów is 15 years[1].
Absence of basic living conditions caused a set of problems: higher unemployment
rate, higher poverty rate, crime, domestic violence.
Then,
since the mid-2000s, things have started to change significantly. At first,
some independent galleries and concert venues, like the legendary Fabryka
Trzciny, appeared. Then Ząbkowska, Okrzei and 11 Listopada Streets were slowly
conquered by a number of cafes, restaurants, and clubs. In 2007 the vodka factory
at Ząbkowska Street shut down and turned into a cultural hub.
In an
article from 2010 title Creeping
gentrification Jan Śpiewak, one of the HIA Senior Fellows, remarks
ironically that The changes resemble an
invasion of newcomers from a faraway country. They have set up their
settlements and introduced their bizarre customs – like drinking a 10 zł
coffee. They dress differently and, seemingly, speak different language. And
they only interact with the „indigenous people” when they need to do some basic
trade, like buying some bread or flour. They enjoy discovering local culture,
which brings out a genuine pioneer in them. Looking at a Catholic shrine they
feel as emotional as Howard Carter did the moment he discovered the grave of Tutankhamun.
And the autochthones are happy too, as finally somebody has discovered them;
they have become an object of someone’s interest.[2]
The most
probable turning point and a major boost were the preparations for the UEFA
Euro 2012 football championship. Polish National Stadium was built with the aim
to develop the image of the district and bring tourist to it. And it has. The
right bank has been reclaimed by the mainstream society. In 2014, after many
years of the Museum of Warsaw Praga was opened, not far from the legendary
Różyckiego Market and since then the history of Praga has been included in the
official tourist narrative.
However
at the same time more and more inhabitants of Praga have been ousted from their
houses. Today Brzeska Street looks morbid not because of thugs but because of
endless rows of dead empty windows. The former vodka factory now belongs to a
developer, and even though there are plans to set up a museum of vodka there,
next to a Google-founded Campus Warsaw,
the main objective is to adapt the site for office spaces. After a brief period
of artistic freedom, the factory premises have become a closed enclave once
again. Only this time there will be no jobs for the locals there.
Is then that creeping gentrification something new or previously unknown? Surprising? Given the history of Williamsburg in New York, Notting Hill in London or Prenzlauer Berg in Berlin, to just name a few, Warsaw should have been prepared for that. Yet what mayor, especially of an aspiring metropolis, would be willing to stop a steady flow of capital? After all, it’s not that former inhabitants of Praga have been left sleeping rough. Many of them have been resettled further uptown, some decided to move out on their own. If they have a place to live, it shouldn’t be a problem, right?
But it is
a problem. A problem of eradicating a decades-old communities, depriving them
of their identity, the last frame of reference that helped their members
navigate through more and more complicated modern life. Just like Europeans
almost wiped out indigenous nations in Americas or Australia, yuppies and
developers have been killing the city, not in its physical form, as it sometimes
gets improved, but in its very essence, which is the society.
And
suddenly it struck me: aren’t we the part of the problem? Aren’t we, a group of
young international human rights activists marching right through somebody’s
courtyard, one of those invisible forces of gentrification that sooner or later
going to ousts current inhabitants from their little homeland to make more
space for those who will be able to afford it? Have we forgotten that social
and cultural rights are human rights too? Let’s hope that our visit to Praga
opens our eyes to the complexity of all the issues we will deal with in the
future. As sometimes the roots of the problem might look perfectly innocent,
simply because there are not enough people who see it as a problem.
Gentrification will continue all over the world as long as we allow it.
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